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Beatrix Potter
That's Westmorland said Pig-Wig
Official Collector's Edition Print. Hand numbered (unsigned) on fine art paper
| Image Size: | 17 x 22.5cm |
| Mounted Size: | 35 x 41cm |
| Overall Size: | 35 x 41cm |
| Edition Size: | 495 |
Presented in a conservation mount with a Certificate of Authenticity. From Beatrix Potter’s original illustrations for ‘The Tale of Pigling Bland’
£79.00
In stock
Only %1 left
SKU
BP9034
About the Artwork
THE TALE OF PIGLING BLAND published 1913
1913 was a busy year for Beatrix Potter. Despite illness, she has arrangements to make for her marriage to William Heelis and their new home, Castle Cottage, to prepare. Beatrix Potter only just managed to finish ‘The Tale of Pigling Bland’ for publication in that year, writing to a friend, “I’m afraid it was done in an awful hurry and scramble.” Nevertheless, it is a delightful story, which had been germinating in Beatrix’s mind for some years. In 1909 she had described the sale of two of the Hill Top farm pigs in a letter to Milly Warne. “Their appetites were fearful - five meals a day and not satisfied.” Pig-wig, too, was a real animal, a black Berkshire pig whom Beatrix kept as a pet. She dedicated the story to the two children of the farmer who supplied her with Pig-wig, “For Cecily and Charlie. A Tale of a Christmas Pig.”
About the Artist
Beatrix Potter was born in London in 1866 and grew up living the conventionally sheltered life of a Victorian girl in a well-to-do household. She was educated at home by a governess with her brother Bertram. Her constant companions were the pet animal she kept which she enjoyed studying and sketching. On summer holidays she delighted in exploring the countryside and learning about plants and animals from her own observations. Beatrix Potter devoted most of her energy to the study of natural history – archaeology, geology, entomology and, especially, mycology. Fungi appealed to Potter’s imagination, both for their evanescent habits and for their coloration. Encouraged by Charles McIntosh, a revered Scottish naturalist, to make her fungi drawings more technically accurate, Potter not only produced beautiful watercolours, but also became an adept scientific illustrator. By 1896 Beatrix Potter had developed her own theory of how fungi spores reproduced and wrote a paper, ‘On the Germination of the Spores of Agaricineae‘. This was presented to a meeting of the Linnean Society on 1 April 1897 by one of the mycologists from the Royal Botanic Gardens, Kew, since women could not attend Society meetings. Her paper has since been lost. Beatrix Potter’s career as a children’s illustrator and storyteller began when The Tale of Peter Rabbit was published by Frederick Warne and Co. in 1902. The public loved it as soon as it appeared and Beatrix went on to produce on average two books a year until 1910.
We hope you enjoy viewing our collection of Beatrix Potter Collector's Edition prints.